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Gil Scott-Heron (born April 1, 1949) is an American poet, musician, and author known primarily for his late 1960s and early 1970s work as a spoken word soul performer and his collaborative work with musician Brian Jackson. His collaborative efforts with Jackson featured a musical fusion of jazz, blues and soul music, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. The music of these albums, most notably Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul. Scott-Heron's recording work is often associated with black militant activism and has received much critical acclaim for one of his most well-known compositions "The Revolution Will Not Be Televised". On his influence, a music writer later noted that "Scott-Heron's unique proto-rap style influenced a generation of hip-hop artists".

Winter in America is a studio album by American soul musician and poet Gil Scott-Heron and musician Brian Jackson, released in May 1974 on Strata-East Records. Recording sessions for the album took place on three recording dates in September and October of 1973 at D&B Sound Studio in Silver Springs, Maryland. The album served as the third collaboration effort by Scott-Heron and Jackson following the latter's contributions on Pieces of a Man and Free Will. As the first record produced by the two musicians, it was also the first of their work together to have Jackson receive co-billing for a release. The album features introspective and socially-conscious lyrical content by Scott-Heron and mellow instrumentation and soundscape stylistically rooted in jazz and the blues, which produced a fusion of bluesy jazz-based vocals and Jackson's free jazz arrangements. The album is also one of the earliest known studio releases to contain proto-rap elements such as a stripped-down production style and spoken word-vocalization.

Heron's father Gil Heron (1922 - 27 November, 2008) was a Jamaican footballer/soccer player. He was the first black player to play for Scottish club Celtic FC after being invited on a trial in 1951. Heron went on to score on his debut, on August 18, 1951 in a League Cup tie against Morton that Celtic won 2-0.

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Spoken-word musician Gil Scott-Heron dies in NYC

NEW YORK ó Musician Gil Scott-Heron, who helped lay the groundwork for rap by fusing minimalistic percussion, political expression and spoken-word poetry on songs such as "The Revolution Will Not Be Televised" but saw his brilliance undermined by a years-long drug addiction, has died at age 62.
A friend, Doris C. Nolan, who answered the telephone listed for his Manhattan recording company, said he died Friday afternoon at St. Lukeís Hospital after becoming sick upon returning from a trip to Europe.
"Weíre all sort of shattered," she said.
Scott-Heron was known for work that reflected the fury of black America in the post-civil rights era and also spoke to the social and political disparities in the country. His songs often had incendiary titles ó "Home is Where the Hatred Is" or "Whitey on the Moon" ó and through spoken word and song he tapped the frustration of the masses.
Yet much of his life also was defined by his battle with crack cocaine, which led to time in jail. In a 2008 interview with New York magazine, he said he had been living with HIV for years, but he still continued to perform and put out music; his last album, which came out this year, was a collaboration with artist Jamie xx, "Weíre Still Here," a reworking of Scott-Heronís acclaimed "Iím New Here," which was released in 2010.
He also was still smoking crack, as detailed in a New Yorker article last year.
"Ten to fifteen minutes of this, I donít have pain," he said. "I could have had an operation a few years ago, but there was an 8 percent chance of paralysis. I tried the painkillers, but after a couple of weeks I felt like a piece of furniture. It makes you feel like you donít want to do anything. This I can quit anytime Iím ready."
Scott-Heronís influence on rap was such that he sometimes was referred to as the Godfather of Rap, a title he rejected.
"If there was any individual initiative that I was responsible for it might have been that there was music in certain poems of mine, with complete progression and repeating íhooks,í which made them more like songs than just recitations with percussion," he wrote in the introduction to his 1990 collection of poems, "Now and Then."
He referred to his signature mix of percussion, politics and performed poetry as bluesology or Third World music. But then he said it was simply "black music or black American music."
"Because black Americans are now a tremendously diverse essence of all the places weíve come from and the music and rhythms we brought with us," he wrote.
Nevertheless, his influence on generations of rappers has been demonstrated through sampling of his recordings by artists, including Kanye West, who closes out the last track of his latest album with a long excerpt of Scott-Heronís "Who Will Survive in America."
Politically outspoken rapper Michael Franti said in a statement Saturday that Scott-Heronís talent was his ability to "make us think about the world in a different way, laugh hysterically about the ironies of American culture, anger at the hypocrisy of our political system, all to a beat that kept us on the dance floor, with a voice and flow that kept you waiting with anticipation for the next phrase."
Scott-Heron recorded the song that would make him famous, "The Revolution Will Not Be Televised," which critiqued mass media, for the album "125th and Lenox" in Harlem in the 1970s. He followed up that recording with more than a dozen albums, initially collaborating with musician Brian Jackson.
Throughout his musical career, he took on political issues of his time, including apartheid in South Africa and nuclear arms. He had been shaped by the politics of the 1960s and black literature, especially the Harlem Renaissance.

Scott-Heron was born in Chicago on April 1, 1949. He was raised in Jackson, Tenn., and in New York before attending college at Lincoln University in Pennsylvania.

Before turning to music, he was a novelist, at age 19, with the publication of "The Vulture," a murder mystery.

He also was the author of "The Nigger Factory," a social satire.

© Copyright 2011 Associated Press.