"I am ecstatic Performing the Word is on the scene. Writer and scholar Fahamisha Patricia Brown presents convincing evidence that the 'everyday' is 'everyday' in African American poetry, and indeed that poetry has been a crucial agent of transmitting and preserving African American vernacular culture."-Cheryl Clarke, author of Living as a Lesbian
"Fahamisha Patricia Brown's Performing the Word represents a real contribution to African American poetical and critical theory."-Joanne M. Braxton, Cummings Professor of English, College of William and Mary.
Performing the Word offers readers of African American poetry a way of understanding and appreciating a body of work that has received little critical attention. While African American literary tradition begins with eighteenth-century poets like Lucy Terry, Jupiter Hammon, and Phillis Wheatley, critical discussions of African American poetry have been sparse. Aside from a few studies of "major" poets, such as Langston Hughes, Gwendolyn Brooks, Robert Hayden, Rita Dove, or period histories of phenomena such as the Harlem Renaissance, there has been little sustained critical inquiry into African American poetry as a body of literature-until now.
Fahamisha Patricia Brown examines elements of African American expressive culture-its language practices, both folk and popular. Her book is an excellent introduction to a diverse group of poets and the common basis of their work in language practices and performativity, in the expressive culture of a people. Performing the Word is an important contribution to the understanding of African American culture and American poetry as a whole.
Fahamisha Patricia Brown is an associate professor of Urban Studies and Human Services at Manhattan College, Manhattan, NY.